LADy LaMb&Popsy

June 29, 2007

Interview with John Henderson

Filed under: Art

q)Lets start with the basics; what’s your full name, where do you live, and how old are you?

 

a)My name is John Henderson. I live in Chicago and Minneapolis. I’m 22.

 

q) Do you have any formal training?

 

a)I went to art school, but I don’t know if I would classify that as formal training. 

 

q) Did the place you grew up in influence your image making?

 

a)Yes, of course.

 

q) How do you come up with your concepts?

 

a)For a while, I was making formal, painterly abstractions. They were quite colorful and thinly painted. Very slick. The paintings were built up in multiple layers and referenced modes of representation (portraiture, landscape.) After making a lot of these, I eventually stepped back and saw them for what they were- very aesthetic and very emptied of content, aside from the content of Painting itself. I decided that I wanted to make more than completely formal paintings. Recently, I have begun to look for ways of injecting psychology into the work. I have been using “Death in the Sickoom”, a painting by Edvard Munch, as a vehicle to do this. Munch’s painting is very much about Absence in Presence. There are people gathered in a room to mourne, yet none of them are actually interacting with one another. The way I paint is also very much about Absence in Presence. There are many signs of activity and expression in the gestures but only closer looks there is almost no paint, no texture. The paintings are full of marks but at the same time they feel very emptied out.

 

q) Describe your creations in a clear, concise and understandable sentence. What do you call them?

 

a)My work is uses painting to address metaphors of Absence and Presence as well as the viewer’s relationship to Painting- as both image and object.


 

 

q)What other mediums would you like to explore in your image making?

 

a)Digital Video.

 

q)What is the best time in the day for you to work on a project? Is there one, or is it more about the environment — maybe the right mood?

 

a)I work whenever I have the time, its more about working when I have the time, not about working at a certain time.

 

q) What are your artistic influences?…and …generally who or what influences you the most?

 

a)Whatever is going on around me. I’ve read quite a bit of Haruki Murakami in the last year, that probably influenced me somehow. He’s a great writer. Easy reading, but great.

 

q) Who are some of your favourite artists/designers/photographers?

 

a)Michael Krebber, Gaylen Gerber, Tyson Reeder, Sergej Jensen, Brian Fahlstrom, Laura Letinsky, Ann Lislegaard, Robert Gober, The Designers Republic

 

q) What is your next project?Exhibition?Collaboration?

 

a)I am curating a show entitled “Handcrafted Optimism” at Tony Wight / Bodybuilder and Sportsman Gallery in Chicago.

 

q)What are your plans for the future?

 

a)I am going Northwestern University for graduate school in the fall.

 

q)Are there some web sites that You would like to recomend? Artists, art communities, xxx,…!?

 

a) thedesignersrepublic.com
afterall.org
greengrassi.com
messhall.org

 

q)What sort of music do you listen to?

 

a)Nothing specific. Electronic music (Autechre, Boards of Canada, Matthew Dear…). However, lately, I’ve really been into semi-bad 80’s pop/rock. Really cheesy production, but great melodies, really easy to listen to. That’s maybe embarrasing or something…but oh well.

 

q)Do you collect anything?If so what?

 

a)Not really.


 

 

q)What do you do for fun?

 

a)I like to travel. I just went to Russia and Noway. Russia’s crazy. Norway’s great. If I could move to Norway for a while, I probably would.

 

q)Any advice you can pass onto aspiring artists/designers?

 

a)Enjoy yourself.  Nothing really matters.

 

q)Your contacts…

 

a) www.johnthomashenderson.com

June 28, 2007

Interview with Curt Hoppe

Filed under: Art

q) Let’s start with the basics; what’s your full name, where do you live, and
how old are you?

a)Curt Hoppe.  I live and work in New York City and I am 57.


q) Do you have any formal training?

a)I attended the University of Minnesota and studied for a BFA but dropped out with 6 months left until graduation. I had no intention of teaching so did not need a degree. I was already exhibiting, making a living, so moving to New York seemed like a better idea than completing my studies just for a piece of paper I had no use for.

q) Did the place you grew up in influence your image making?

a)I grew up in Minneapolis, Minnesota; it had good museums and arts education programs at all levels, which probably laid the foundation for my interest in art.  But other than that, I don’t think it had much influence on my work.

q) How do you come up with your concepts?

a)They come to me. I don’t plan on what series of paintings I do next. Usually it involves an interest or obsession I have at the moment.

q) Describe your creations in a clear, concise and understandable sentence.
What do you call them?

a)The latest exhibition and series I am currently working on, "Girls of Action," is my ongoing tribute to women who refuse to conform to received ideas of the "feminine." Women who do not let the media, men, today’s mores, or societal pressure define what is beautiful and acceptable inspire me.  They are talented and rebellious.  They are driven. They define themselves. They are Hipstresses, "(my own tem for hip females)". They are feminists in the true sense.  I do my best not to objectify them, but being a male that at times can be difficult, or maybe impossible.
 
q) What other mediums would you like to explore in your image making?

a)Right now I have a pretty full stage, with painting, sculpture (my action figurines), and photography. I would like to do a little more video but my temperament really does not allow me to do to many things at once. I am a bit of an obsessive compulsive. The way I work is very time consuming and my subject deserves it. I usually have a million ideas in my head and doing photography and using larger format printing alleviates some of the frustration brought on by the constraints of time, while still giving the subject a proper amount of attention and scale.


q) What is the best time in the day for you to work on a project? Is there


a)One, or is it more about the environment — maybe the right mood?
I am very happy in my own head. I don’t look at making art as "work," so I rarely get in bad moods.  If someone or something arises that tries to sabotage whatever I’m doing, I generally say fuck ‘em or fuck it, and just go on. I look forward to going to my studio and whenever I don’t, I figure that it is time to move on and start a new series of works.  That usually happens in 10-year intervals.
I have little concept of time and I am very self-centered when I am working. I rarely socialize, answer the telephone, or make any plans, always leaving my days and nights open-ended for work. I never set timetables for myself and would rather not work at all if there were someplace that I must be in a set time.  I do my best to set my own agenda.

q) What are your artistic influences? And. generally who or what
Influences you the most?

a)The US pop culture, Madison Avenue advertising and politics. I read a lot of newspapers. What is amazing to me today is that America seems to be more interested in what is fleeting, feel good and trivial. We are a culture of instant gratification waiting to make our next purchase and disregard out last. We claim to care about the world but yet fewer than 25% percent of Americans have a passport.  And fewer know a foreign language.
On a purely art level I rarely go to exhibitions to avoid art trends or other outside artistic influences.
However, I am interested to see if Street Art can throw a wrench into the shiny gears of the big corporate art takeover of recent years.  Now more than ever it seems that money has trumped passion and love, taking conspicuous consumption to the art world and raising the stakes of so-called "keeping up with the Joneses" to a new level.

q) Who are some of your favorite artists/designers/photographers?

a)Dianne Arbus, Wegee, Arturo Vega, Richard Hamilton, Ray Johnson, Mel Ramos, Tom Wesselman, Calder, Oldenburg, Franz Gertsch, Caravaggio, Rivers, Ingres, Crumb, Ray and Charles Eames, Vargas, Big Daddy Ed Roth, John Holmstrom, Norman Rockwell, Val Killmore’s films and lately I’ve really been digging a couple of street artists, Marc Jenkins and Judith Supine.  In fact, if Judith or Mark read this and are interested in exchanging work shoot me an email.

q) What is your next project? Exhibition? Collaboration?

a)I continue to work on the "Girls of Action" series and I will have an exhibition in New York in 2008 at the Stricola Gallery.


q) What are your plans for the future?


a)See above question 10, and in January of 2009 sitting in front of a large television to watch as Bush and Cheney fly off into the sunset, hopefully never to be heard from again.  Then to take a deep breath and heave a sigh of relief that they’re gone.

q) Are there some web sites that you would like to recommend? Artists, art
Communities, xxx,…!?

a)Wooster Collective, and Supertouch

q)What sort of music do you listen to?

a)Alternative, Indie, a little Country now and then I listen to talk radio, NPR, etc.

q)Do you collect anything?If so what?

a)Souls.

q)What do you do for fun?

a)Have coffee, eat dessert and smoke all at the same time, which is really difficult to do these days in New York. So I go to France for that.

q)Any advice you can pass onto aspiring artists/designers?

a)No.  I doubt anyone needs advice from me.


q)Your contacts.


a)Europe
La B*A*N*K Galerie 
http://www.bankgalerie.com
U.S
Stricola  
http://www.stricola.com

June 21, 2007

Interview with Carl Dunn

Filed under: Art

 
q) Let’s start with the basics; what’s your full name, where do you live and how old are you?

a) Carl Dunn. I currently live in Providence, Rhode Island, USA and I’m forty years old.


 

q) Do you have any formal training?

a) Yes, I attended Parsons School of Design in NYC and Parsons Paris.

q) Did the place you grew up in influence your image making?

a) I grew up in New York city, it’s a stimulating environment to live in. My mother is an artist
so she taught and encouraged me the most as a kid. My father, a fireman, collected 19th century
decorative stones carvings from demolished tenements for years, and I think being surrounded by
decorative ornamentation removed from its original context effected my work in some way.

q) How do you come up with your concepts?

a) The work is about colors, shapes, surface texture and narrative. I try to give the abstract and
narrative equal consideration in the developmental stage. I have deliberately vague storylines
with characters and themes that reappear periodically. These open ended stories serve as a
rudimentary starting point for my subject matter. I then allow external stimulus, design
considerations and process to dictate how a story unfolds, how characters evolve and how new
characters emerge. The finished product is usually very different from the original concept. I’d be
disappointed if it wasn’t.


 

q) Describe your creations in a clear, concise and understandable sentence. What do you call
them?

a) Manifestations or symptoms of an inexplicable compulsive disorder. They’re usually
numbered.

q) What other mediums would you like to explore in your image making?

a) I’m starting work on a 3D animated film with photographer Julie Manso. I’d like to
experiment with animatronics.

q) What is the best time in the day for you to work on a project? Is there one, or is it more about
the environment – maybe the right mood?

a) I generally work late in the night into the early morning, it’s the best time for me because I
can control the light in my workspace and it’s quiet.

q) What are your artistic influences? … and … generally who or what influences you the most?

a) I’m inspired by art but not in the same way that I was when I was young. When I go to
museums I still visit my favorite works of art to pay my respects but now its things like music,
tabloid news, history and fiction that influence me. I’ve been listening to online rebroadcasts of
old sci-fi, mystery and action adventure radio shows from the 1940s, that seems to be having an
effect on my work.
 

q) Who are some of your favourite artists/designers/photographers?

a) It’s a hard question to answer, here are a few; Jean Dubuffet, Bridget Riley, Chardin, George
Gross, Maurice Utrillo, Balthus, Polk, Henry Darger, Andy Warhol, Henri Fantin-Latour, Jean-
Honore Fragonard, Dr. Suess, Francois Boucher, Francis Picabia…

q) What is your next project? Exhibition? Collaboration?

a) A show at Space 1026 in Philadelphia, Pennsylvania, on July 6th with Jordin Isip, Louie
Cordero, Jordan Awan, Gregory Benton, Mariano Ching, Kiersten Essenpreis, Evah Fan, James
Kirkpatrick, Liz Lee, and Nate Williams.

q) What are your plans for the future?

a) To finish the animated short I mentioned. The painting and sculpture series I’m working on
is continuous, open-ended. I’ve also got a fictitious field guide to poisonous insects that’s in the
wings.

q) Are there some websites that you would like to recommend? Artists, art communities, etc.?

a) I like going to www.artchive.com to view detailed, hi-res images of fine art when I need to,
www.jordinisip.com, www.ewhite.com, www.gallagherstudio.net

q) What sort of music do you listen to?

a) All genres for the most part, big fan of jazz and percussion.

q) Do you collect anything? If so, what?

a) Teeth and bones. It’s convenient that people know this about me too, people have come to
me with various skulls of dead animals…deer, birds, cats…someone once gave me the paws of a
bobcat. I still have them in a coffee can somewhere… my girlfriend gave me her baby teeth she
had saved, I used them in my most recent beast sculpture, it’ll be on display in Philadelphia at
Space1026, July 6th.
I also collect rusted metal scraps found on sidewalks. They eventually come in handy when
making sculptures.

q) What do you do for fun?

a) My girlfriend and I both like to explore/photograph abandoned buildings. A few years back
we embarked on a project about 19th century mill buildings in New England. We explored the ins
and outs of mills in Connecticut, Rhode Island and Massachusetts, some abandoned some still
being used. Well what turned out to be a simple photography project of mills became something
we were consumed with for two and a half years. We interviewed people who had worked in the
mills, we were given tours of some, we put ourselves in some pretty dangerous situations too.
Afterwards we had a show with her photographs and my paintings depicting the mills at gallery
AS220 in Providence, RI.

q) Any advice you can pass onto aspiring artists/designers?

a) Introspection and self-indulgence are sometimes a more effective means of reflecting your
current sociological and political environment than social commentary because it’s impossible to
gauge a situation when you’re in it. In retrospect, the artists who most effectively describe their
moment in history, more often than not did it by accident. Never have a plan B, you’re setting
yourself up for failure.

q) Your contacts…

a) www.carldunn.info/ www.flickr.com/photos/carlvdunn/ www.myspace.com/dunn367

June 18, 2007

Interview with Bruna Kazinoti

Filed under: Art

q)Let’s start with the basics; what’s your full name, where do you live,and
 how old are you?
  

a) My name is Bruna Kazinoti.
 I live in town on croatian coast, Split.
 I am 24 (in July).

q) Do you have any formal training?

a) Photo education and Master of Arts, Royal Academy of fine
 Arts,Antwerpen,Belgium

q) Did the place you grew up in influence your image making?
 
a)I think it does for everybody.

q) How do you come up with your concepts?
   
a) For my personal things, it always come afterwards.
 It depends of my environment.

q) Describe your creations in a clear, concise and understandable
 sentence.What do you call them?
  
a) I don’t call them any.

q)What other mediums would you like to explore in your image making?
  
a) I am not looking for any other.

q)What is the best time in the day for you to work on a project? Is
 there one, or is it more about the environment — maybe the right mood?
 
a)I like mornings the most.but again, it depends on thing that I am
 shooting. Sometimes is better night, sometimes morning, afternoon.
 but I hate not to have none next to me if it catch me thing for shooting.


 

q) Who are some of your favourite artists/designers/photographers?
   
a) I will say those ones who come first on my mind, but there are
others.Photographers(I put them in order who I remember first) - Daniel
Riera, Heinz Peter Knes, Alasdir Mclellan,
Benjamin Huseby…There are many others but I will stop here.
I like Hedi Slimane.Kim Jones.

q) What is your next project?Exhibition?Collaboration?
    
a)There are few plans for this summer, but they are still in planning
 stadium so I don’t really like  to talk about it.

q)What are your plans for the future?
     
a)I don’t have such a plan.

q)Are there some web sites that You would like to recomend? Artists, art
 communities, xxx,…!?

a) Yes, check my friends webpages:
www.albertfolch.com
 www.danielsannwald.com
 
www.nachoalegre.com
 
www.leutmagnetik.com
 
www.dresslab.com

q)What sort of music do you listen to?
     
a) I like many sort of music.I  am very influent by my boyfriend who likes
 electro,house,minimal …I like to dance on this kind of
 music.But at home, I play many other kind, from Tindersticks ,Yello,
 Bowie,Frank Sinatra, pop music,r&b…(I mix it all).

q)Do you collect anything?If so what?
    
a)Yes, I collect animals made from rubber,all sort of
 materials,wood…

q)What do you do for fun?
 
a)drink coffee with friends, go to beach, dance, looking magazines

q)Any advice you can pass onto aspiring artists/designers?
     
a) No.

q)Your contacts.
    
a)On my web page www.brunakazinoti.com ,you will find it!

June 11, 2007

Interview with Joseph Hart

Filed under: Art

q) Lets start with the basics; what’s your full name, where do you live, and how old are you?

a)Joseph Hart, I live in New York, and I’m 30 years old. 

                               
q) Do you have any formal training?

a)Yes, for better or worse. I studied art in college.

q) Did the place you grew up in influence your image making?

a)My point of origin is a huge influence at times.

q) How do you come up with your concepts?

a)By getting out of bed everyday and over thinking everything.

q) Describe your creations in a clear, concise and understandable sentence. What do you call them?

a)Today, they are works on paper that investigate belief and value systems. 
                                        

q) What other mediums would you like to explore in your image making?

a)I  should like to make 3D objects out of glass, porcelain, wax, ice, wood and plastic (not all at the same time). 

q) What is the best time in the day for you to work on a project? Is there one, or is it more about the environment … maybe the right mood?

a)I work best during the day. A distraction free environment is important, too.

q) What are your artistic influences?…and generally who or what influences you the most?

a)I can name no greater influence other than my mother and father.

q) Who are some of your favourite artists/designers/photographers?

a)Today, I like the work of Jim Drain, Tom Uttech, Kara Walker, Fred Wilson, Duchamp, Caravaggio, Norm Abram, Vija Celmins and others whose names I forget at
the moment.

q) What is your next project? Exhibition? Collaboration?

a)Vacation.

q) What are your plans for the future?

a)Keep working and making things.
                                

q) Are there some web sites that You would like to recommend? Artists, art communities, xxx,…!?

a) http://youtube.com/watch?v=PvbL_5rH1QQ

q) What sort of music do you listen to?

a)Beach Boys, Led Zeppelin and Panda Bear.

q) Do you collect anything? If so what?

a)Nope.

q) What do you do for fun?

a)Swim in fresh water lakes.

q) Any advice you can pass onto aspiring artists/designers?

a)Keep working and making things, no matter what.

q) Your contacts…

a) www.joseph-hart.com

June 1, 2007

Interview with Nicola Del Vigo

Filed under: Art

q)So, can you tell me a little about yourself? Full name, age,
some
background info, etc?

a)I was born in La Spezia in 1975. I studied in a businnes school, but during the university after 3 years I decided to stop this tipe of study and to start my study in art.
I studied art in Bologna where now I work and I  live.

q) How did you get started making art?

a)I decided 8 years ago when I started my studies.

q)How would you describe your art?

a)to understand my works I have to speak about my life.I love looking people, dreaming about them, building their hypothentical identities. It’s like when you are in the subway and you imagine somebody else’s life in a short time. In my works I use interesting looks to create what I felt looking the person who catch me. My pieces names never belong to the subjects.

q)Who is your biggest influence, both art and non-art related

a)I get influenced from different expression of art.I get closer to the american pop art, as an example.

q)How do you approach the creation of a new piece… how does
everything come together?

a)I approach the creations as  new pieces selecting the photos of the model I will use.After that I will cut the photo; then when I think that the picture is fine I reproduce the model on the canvas.


q) What’s your favorite medium to work in, and why?

a) My favorite medium to work is my hands, I love painting  my  picture  directly with  my hands. During a stage in the modern art gallery of Bologna I  learnt painting looking the children.In particular children which approach to the color, the material.

q) What is your favourite art related web site?

a)I don’t have a favorite art web site, I look around in the network searching good works.

q) Is your work all hand done? Or do you use any computer tools to
help out?

a)I don’t use any computer tools, for me is very important hand done.
Do it good, do it bad, do it again.
I use computer tools to organize and spread my work.

q) What, in your opinion, are the best and worst places to
exhibit artwork?

a) I don’t have specific opinion about this, I think people are used to images, for this reason it’s harder to catch people’s attention on your work.

q) I’m always interested in where an artist find their
inspiration. Where do you find   yours?

a)I find my inspiration in every day’s life, in normal situations, the real problem is that most of people in not able to see them.

q) How are the reactions on your work in general?

a)I think that the work is the extention of the artist’s life, for this reason my work changes on my everyday’s life moods.The person reactions to my work depends on the sensation that they feel looking at them.

q) What are you doing when you are not creating art?

a)Creation art is a lucky appearance of my life, in general I have a very normal life, I love drinking bear whith my friends in a pub, I love watching rugby, I love boxing, I love going around in Bologna on my bicycle and I love listening to music and playing music as a dj.

q )What are some of the greatest challenges that you think
artists face today?

a)I think the first problem to face is that living doing art is very hard in a lot of countries, expecially in Italy.


q) Do you believe that a person is born with a talent to produce
art or can anyone can be taught?

a)I think lots of peoples could do art  but most of them think this is a waste of time(this thought is very diffuse in Italy unfortunately).

q) What advice would you give to younger up and coming artist?

a)Today I haven’t nothing to tell to young artist because I’m a young artist!I don’t have any advices to give.When I’m doing my art I am the luckiest man in the world.For a few hours I stay far from reality: it is beautiful this is the most important side of doing art.

q) Who are your favourite artists &  Your favourite galleries?

a) My favorite artist are:
David Salle, Jenny Saville, Basquiat, Caravaggio, Veemer, Hopper ,George De La Tour, Burri, Schiele Van Gogh Toulose Loutrec, Andy Warhol….
In New York in Chelsea there are a lot of very very beautiful galleries.

q)Your contacts…

a) www.nicoladelvigo.com
    www.myspace.com/nicoladelvigo






















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