LADy LaMb&Popsy

November 25, 2007

Interview with Jeremy Jasher Lynch

Filed under: Art

q) Something on you ….

a)Will surf for food.

q) When did you start to make art?

a)I doodled since I was a kid and then I started to paint later. It became more natural to paint in my early twenty’s and every year I become more submerged into it.

q) Explain your inspiration?

a)Colors and placement are important. I start with backgrounds and rack my brain for endless hours trying to figure out what to paint on top. I also have a backlog of reference material.

q) In what way does your inspiration transform into ideas?

a)I pretty much just let it happen. Sometimes it works sometimes it doesn’t. I try not to be to premeditated.

q) Could your ideas be portrayed in any other medium? If so which?

a)I’m sure it they could. When I get the time I would like to explore Sculpting some wood creatures and playing around with vinyl toys is fun.

q) What does being an artists mean to you?

a)It’s my therapy. I have surfed, and skated my whole life and I think they are my aggressive outlet. But art is different, there’s no aggression, its peaceful and serine, so yeah it’s definitely my therapy.

q) When does your art become successful?

a)Successful or not, that’s not my goal. I paint because I have to. If I didn’t have painting I wouldn’t be who I am, so it has become more a part of me rather than a career. Don’t get me wrong I love it when people enjoy my work, it is just one of the reasons I paint, not the only.

q) Who prices your work? And how is the price decided upon?

a)At first I did until l I got schooled by a gallery owner. I learned I haven’t been in the game long enough to think I know how much my art’s worth. So now I let my buddy Seth Carmichael, curator and owner of Carmichael Gallery of Contemporary Art in West Hollywood. Pretty much I would rather someone own a piece rather than worry about the price.

q) What is your next; move,project,show etc?

a)I am in a Collaboration Show “He, she, me makes we!” opening this weekend Nov 17th-Nov 29th, at the Carmichael Gallery of Contemporary Art (www.carmichaelgallery.com) in West Hollywood. I’m also in a small, affordable art show at the same gallery Dec 1-12th. There are a also a few more shows in the works and some t-shirts from Jedidiah Clothing I designed coming Spring08 and summer08.

q) What are the pros and cons of the art market?

a)Pros I guess would be exposure and making a few dollars from having fun painting. As far as cons I haven’t come across any yet. Aside from when people expect a silly, pretentious story behind all my work.

q) Which pieces would you like to be remembered for?

a)Any pieces that made someone think, made them happy, made them cry, or just provoked any kind of feelings or emotions.

q) Who has been the biggest influence on you?

a)My family, my wife and kids definitely push me. Also my Mom has painted since I was a kid and I had always looked up to her work and still do.

q)Other visual artists that you like…

a)Too many to list them all. I have really been feeling James Jean lately. I will try and name my fav’s here: Twist, Andrew Helm, Elph, Ekundayo, Thomas Campbell, Andrew Schoultz, Amy Sol, Stella Im Hultberg, Egon Schiele, Brendon Monroe, Audrey Kawasaki, Ben Tour, Jeff Schultze, David Chow, Damon Soule, David Ellis, Dave Kinsey, Gregory Euclide, Ian Francis, Ben Horton, Jeff Soto, Jason Sho Green, Kelsey Brookes, Ric Stultz, Shawn Barber, Dennis Brown.

q) How much do you think hype affects the public perception of what good art is?

a)A lot. There are definitely some artists who have little skill and major companies back them and portray them as revolutionary artsists. But of course art is subjective, so no matter what hype art gets some will still disagree.

q) Last CD you downloaded ?

a)Beastie Boys-the Mix Up

q) What makes you happy?

a)My family, good friends, Coffee, Art, Glassy Barrels, new surfboards, fresh pair of vans, film making, and being blessed with the life I have.

q) What makes you sad?

a)Small, mushy surf is the worst. Sore throats suck too.

q) Last book you read?

a)Killer Instinct by Jane Hamsher. And I can’t wait for “Solstice of a Troubled Mind” by Nicollo Gullo

q) What else do like other than art?

a)Surfing, skateboarding, movies, videos, magazines, art shows, and good food.

q) Final thoughts…

a)Thanks to all of my family and friends who have helped and supported me along the way, and an extra thanks to the haters, you pushed me even more.

q)Your contacts…

a)www.jasherlynch.com

www.myspace.com/ibjremy

www.jasherlynch.blogspot.com

November 23, 2007

Interview with Mara Mascaro

Filed under: Art

q)So, can you tell me a little about yourself? full name, age, some background info, etc? 

a)My name is Mara Mascaro. I was born in Milan in 1981, on the 11th of May. I lived for 19 years in a little town by the sea called Varazze, between Genova and Savona. After graduating from a Scientific School in Savona, I moved to Milan and entered the Academy of Fine Arts of Brera. I got a degree in Painting in 2005 and I’m now finishing a master in Arts Graphics (Engraving). 

 
q) What has influenced you the most? 
a)I spent all my teenage years chatting on the internet (from 1997) and drawing mangas. The dualism Japan/Internet has been a fundamental characteristic of all my life and surely influenced my artworks. 
q) How would you describe your art? 
a)All my works are based on my personal experience on the Internet and follow the idea that friendship and love can exist even in the so-called cold world of the Internet. Net Art? Chat Art? Haha, I don’t know. 
q) Which other artists (current or historical) influence your work or inspire you?  
a)I don’t think I’ve been influenced by any artists in particular. I can say I admire the work of Sophie Calle and Erwin Olaf. 
q) What are your current projects? 
a)I’m currently working on the relationship between e-mails and handwritten correspondence in the Twentieth Century. 
q) How are the reactions on your work in general? 
a)People usually tend to say that the world of chat is far from reality, and that nobody could have a real relationship with people known behind a screen. That’s exactly the prejudice I’d like to overcome. 
q) Do you have many connections in the underground scene? 
a)What do you mean? I know all my colleagues and teachers who work in Brera. I once met Australian artist Stelarc, because I had to translate his speech in our Academy. 
q) Any advice you can pass onto aspiring artists/designers? 
a)Travel as much as you can, experience new cultures and different concepts of art. Try spending a year on an Erasmus program, maybe. It can help you to see things from a different perspective. 
 
q)Tell us about a recent dream you had. 
a)Oh my.. my dreams are usually nightmares actually. I have recurrent dreams about losing the ones I love or about running and being chased after. Oh yep, and dreams about tortoises with deformed shells. 
 
q) Ultimate Goal?  

a)Talking about the internet from a different perspective, making the others know that love can be found even on the screen. 

 
q) What is your favourite medium to work with? 
a)Photography, Interactive programs, videoart 
q) Are there any particular works you’ve done that stand out as your favourites? 
a)“Chi no Tsuki – The Wall”, my first video. I tried to make visible the impossibility of communication of some relations born on the Internet: despite the fact that this medium can create the basis of the birth of real friendships, it has the boundary of the monitor. If one of the two users decides to hide behind the reassuring protection of the monitor, the other one can only be subordinated to the conditions the first imposes on them. They can just approach to that virtual barrier, but can’t go beyond it. I love it because of his personal meaning (I used real “logs” to make the video) and because it shows the wide range of deep emotions one can have in this kind of relationships. 
q) What is freedom to you as an artist? 
a)To be able to say what you really think and feel without being censored. 
q) Take us inside your process a little bit. How do you begin a piece? What inspires the concept? 
a)When I start a work I usually think about something I really want the others to know, something that’s inside of me and want to share. Then I think about a medium that could let people understand what I mean, and work on that idea until I have something physical 
q) What is something about you that someone probably wouldn’t guess? 
a)I’m a paranoid freak and a mad perfectionist. 
q) What other areas of the arts, if any, do you do work in? (Writing, Music, Film, Painting, Sculpture, etc) 

a)I write poems and love singing. I once wrote some song lyrics, but it was a unique experience. And of course, I draw mangas. 

q)A message from your heart for the readers…
a)Be yourselves. Never let others change your personal beliefs if you truly believe. 
q)Your contacts…e-mail…links…
a) helaine@email.it / phiria@virtualqueens.net
www.virtualqueens.net
www.virtualqueens.net/emote2

www.flickr.com/phiria 

 

November 11, 2007

Interview with Steve Kim

Filed under: Art

q) Something on you …

a) My name is Steve Kim and I am fine-art painter as well as a student. I got my BFA from Art Center College of Design and in the spring of 2008 I will begin to chip away at my MFA from Claremont Graduate University. I live and work in Los Angeles, or more specifically, Claremont.


q) When did you start to make art?

a) I liked drawing as far back as I remember. Back then my work was a lot more serious, dinosaurs and ninjas and things like that.

q) Explain your inspiration?

a) Perhaps it would be easier to talk about what doesn’t inspire me, then again… when I really think about it, it isn’t easier at all! It’s a cop-out, but I like everything. Really. Well, maybe not repetition, or too much repetition, that is definitely irritating.

q) In what way does your inspiration transform into ideas?

a) Ideas are always popping in and out of existence so I don’t really take much credit for them. Not that they are worth caring about in the first place. Hollywood and I suppose fine-art puts a high value on ideas but not me.

q) Could your ideas be portrayed in any other medium? If so which?

a) It’s more like other mediums would dictate what kind of ideas would be portrayed. Every medium has its pros and cons, its own fingerprint. I have lots of experience and interest in a variety of media, but for the time being I like to consider myself a painter because I really like the stuff. I like the variety of thinking possible only in the ‘container’ of painting (and really by painting I mean oil paints). When I have an itch to scratch best reached by another medium, say something especially narrative or sequential, I’ll go ahead and pursue it through film or writing or whatever is the most appropriate.

q) What does being an artist mean to you?

a) Doing what you like with the fewest sacrifices possible.

q) When does your art become successful?

a) When both myself and the viewer is happy with it. I assign a lot of value to how others respond to my work. I know when myself, I know what I feel and what I like and what makes me happy, there is no big mystery there. The viewer, however, is this total unknown. Why should he give a damn about what I do? So it never ceases to delight me when someone likes my work. It really doesn’t matter who it is either, layperson or art snob or whoever. I guess this makes me shallow and self-centered but it’s how I feel.

q) What is your next; move,project,show etc?

a) A weird group show at Concrete Walls Gallery in Los Angeles. All the work there will be selling for $99.99, including mine I guess… It’ll run next month from December 7th to January 4th.

q) What are the pros and cons of the art market?

a) Pro: That it exists. That people are willing to pay well-earned money for this stuff. Con: The nepotism maybe.

q) Which pieces would you like to be remembered for?

a) The really rad ones.

q) Who has been the biggest influence on you?

a) Julienne Hsu.

q) Other visual artists that you like…

a) I’m never any good at this. I don’t keep a mental tally of artists who inspire me. If I were to be perfectly honest: The product designer who designed my OXO silicon sink strainer. It’s a magnificent piece of utility and design that literally makes me happy every time I use it. I probably could write an essay about all of its virtues. I swear this isn’t a flippant answer. I am quite serious.

q) How much do you think hype affects the public perception of what good art is?

a) I can’t say really since hype does as much good as it does harm. if anything, there ought to be more hype, just more widely and perhaps evenly distributed. There is plenty of stuff out there that is dying for more attention. As for the public’s perception of art… I think perception is greatly influenced by doing the thing you perceive. Painting a painting, writing a story, or cooking a meal. These are things anyone can do and benefit from. Active participation and its efficacy in altering and shaping perceptions is something I firmly believe in. The influence of hype is paltry in comparision.

q) What makes you happy?

a) Working. It’s laughable cause I don’t do nearly enough.

q) What makes you sad?

b) Not working.

q) Last book you read?

a) E.H. Gombrich’s Art and Perception. Though honestly I’m not even close to finishing it.

 

q) What else do you like to do other than art?

a) At the Moment, Team Fortress 2.

q) Final thoughts…

a) Thanks for having me.

q) Your contacts…

a) www.stevekim.net






















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